{"type":"standard","title":"Cantharellus (coral)","displaytitle":"Cantharellus (coral)","namespace":{"id":0,"text":""},"wikibase_item":"Q2936584","titles":{"canonical":"Cantharellus_(coral)","normalized":"Cantharellus (coral)","display":"Cantharellus (coral)"},"pageid":72887131,"thumbnail":{"source":"https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/Cantharellus_jebbi.JPG/330px-Cantharellus_jebbi.JPG","width":320,"height":266},"originalimage":{"source":"https://upload.wikimedia.org/wikipedia/commons/8/8a/Cantharellus_jebbi.JPG","width":1923,"height":1597},"lang":"en","dir":"ltr","revision":"1194244503","tid":"b825b7bb-adbc-11ee-9174-fe0db80aef28","timestamp":"2024-01-08T00:27:35Z","description":"Genus of corals","description_source":"local","content_urls":{"desktop":{"page":"https://en.wikipedia.org/wiki/Cantharellus_(coral)","revisions":"https://en.wikipedia.org/wiki/Cantharellus_(coral)?action=history","edit":"https://en.wikipedia.org/wiki/Cantharellus_(coral)?action=edit","talk":"https://en.wikipedia.org/wiki/Talk:Cantharellus_(coral)"},"mobile":{"page":"https://en.m.wikipedia.org/wiki/Cantharellus_(coral)","revisions":"https://en.m.wikipedia.org/wiki/Special:History/Cantharellus_(coral)","edit":"https://en.m.wikipedia.org/wiki/Cantharellus_(coral)?action=edit","talk":"https://en.m.wikipedia.org/wiki/Talk:Cantharellus_(coral)"}},"extract":"Cantharellus is a genus of corals within the family Fungiidae.","extract_html":"
Cantharellus is a genus of corals within the family Fungiidae.
"}{"slip": { "id": 212, "advice": "The hardest things to say are usually the most important."}}
{"type":"standard","title":"Neo-Riemannian theory","displaytitle":"Neo-Riemannian theory","namespace":{"id":0,"text":""},"wikibase_item":"Q6991760","titles":{"canonical":"Neo-Riemannian_theory","normalized":"Neo-Riemannian theory","display":"Neo-Riemannian theory"},"pageid":23211888,"thumbnail":{"source":"https://upload.wikimedia.org/wikipedia/commons/thumb/b/b9/Minor_as_upside_down_major.png/330px-Minor_as_upside_down_major.png","width":320,"height":158},"originalimage":{"source":"https://upload.wikimedia.org/wikipedia/commons/b/b9/Minor_as_upside_down_major.png","width":1058,"height":522},"lang":"en","dir":"ltr","revision":"1292226754","tid":"9af08d9e-39af-11f0-b47f-feb5c47717f4","timestamp":"2025-05-25T21:31:23Z","description":"Collection of ideas in music theory","description_source":"local","content_urls":{"desktop":{"page":"https://en.wikipedia.org/wiki/Neo-Riemannian_theory","revisions":"https://en.wikipedia.org/wiki/Neo-Riemannian_theory?action=history","edit":"https://en.wikipedia.org/wiki/Neo-Riemannian_theory?action=edit","talk":"https://en.wikipedia.org/wiki/Talk:Neo-Riemannian_theory"},"mobile":{"page":"https://en.m.wikipedia.org/wiki/Neo-Riemannian_theory","revisions":"https://en.m.wikipedia.org/wiki/Special:History/Neo-Riemannian_theory","edit":"https://en.m.wikipedia.org/wiki/Neo-Riemannian_theory?action=edit","talk":"https://en.m.wikipedia.org/wiki/Talk:Neo-Riemannian_theory"}},"extract":"Neo-Riemannian theory is a loose collection of ideas present in the writings of music theorists such as David Lewin, Brian Hyer, Richard Cohn, and Henry Klumpenhouwer. What binds these ideas is a central commitment to relating harmonies directly to each other, without necessary reference to a tonic. Initially, those harmonies were major and minor triads; subsequently, neo-Riemannian theory was extended to standard dissonant sonorities as well. Harmonic proximity is characteristically gauged by efficiency of voice leading. Thus, C major and E minor triads are close by virtue of requiring only a single semitonal shift to move from one to the other. Motion between proximate harmonies is described by simple transformations. For example, motion between a C major and E minor triad, in either direction, is executed by an \"L\" transformation. Extended progressions of harmonies are characteristically displayed on a geometric plane, or map, which portrays the entire system of harmonic relations. Where consensus is lacking is on the question of what is most central to the theory: smooth voice leading, transformations, or the system of relations that is mapped by the geometries. The theory is often invoked when analyzing harmonic practices within the Late Romantic period characterized by a high degree of chromaticism, including work of Schubert, Liszt, Wagner and Bruckner.","extract_html":"
Neo-Riemannian theory is a loose collection of ideas present in the writings of music theorists such as David Lewin, Brian Hyer, Richard Cohn, and Henry Klumpenhouwer. What binds these ideas is a central commitment to relating harmonies directly to each other, without necessary reference to a tonic. Initially, those harmonies were major and minor triads; subsequently, neo-Riemannian theory was extended to standard dissonant sonorities as well. Harmonic proximity is characteristically gauged by efficiency of voice leading. Thus, C major and E minor triads are close by virtue of requiring only a single semitonal shift to move from one to the other. Motion between proximate harmonies is described by simple transformations. For example, motion between a C major and E minor triad, in either direction, is executed by an \"L\" transformation. Extended progressions of harmonies are characteristically displayed on a geometric plane, or map, which portrays the entire system of harmonic relations. Where consensus is lacking is on the question of what is most central to the theory: smooth voice leading, transformations, or the system of relations that is mapped by the geometries. The theory is often invoked when analyzing harmonic practices within the Late Romantic period characterized by a high degree of chromaticism, including work of Schubert, Liszt, Wagner and Bruckner.
"}{"slip": { "id": 216, "advice": "Try making a list."}}
{"slip": { "id": 52, "advice": "Don't promise what you can't deliver."}}
{"fact":"Most cats adore sardines.","length":25}
{"slip": { "id": 212, "advice": "The hardest things to say are usually the most important."}}
{"type":"standard","title":"Facing Destiny","displaytitle":"Facing Destiny","namespace":{"id":0,"text":""},"wikibase_item":"Q16635535","titles":{"canonical":"Facing_Destiny","normalized":"Facing Destiny","display":"Facing Destiny"},"pageid":74989340,"thumbnail":{"source":"https://upload.wikimedia.org/wikipedia/en/8/81/Facing_Destiny.jpg","width":271,"height":368},"originalimage":{"source":"https://upload.wikimedia.org/wikipedia/en/8/81/Facing_Destiny.jpg","width":271,"height":368},"lang":"en","dir":"ltr","revision":"1275264238","tid":"66146cba-e8d7-11ef-8b72-00cf0b014025","timestamp":"2025-02-12T00:22:10Z","description":"1940 film","description_source":"local","content_urls":{"desktop":{"page":"https://en.wikipedia.org/wiki/Facing_Destiny","revisions":"https://en.wikipedia.org/wiki/Facing_Destiny?action=history","edit":"https://en.wikipedia.org/wiki/Facing_Destiny?action=edit","talk":"https://en.wikipedia.org/wiki/Talk:Facing_Destiny"},"mobile":{"page":"https://en.m.wikipedia.org/wiki/Facing_Destiny","revisions":"https://en.m.wikipedia.org/wiki/Special:History/Facing_Destiny","edit":"https://en.m.wikipedia.org/wiki/Facing_Destiny?action=edit","talk":"https://en.m.wikipedia.org/wiki/Talk:Facing_Destiny"}},"extract":"Facing Destiny is a 1940 French spy drama film directed by Henri Fescourt and starring Jules Berry, George Rigaud and Josseline Gaël. It is based on the 1938 novel of the same title by Charles Robert-Dumas. The film's sets were designed by the art director Claude Bouxin. It was produced and distributed during the Phoney War period.","extract_html":"
Facing Destiny is a 1940 French spy drama film directed by Henri Fescourt and starring Jules Berry, George Rigaud and Josseline Gaël. It is based on the 1938 novel of the same title by Charles Robert-Dumas. The film's sets were designed by the art director Claude Bouxin. It was produced and distributed during the Phoney War period.
"}